

Cunningham Cunningham is essentially the darker one of the two directors and has a lot of thought behind the videos the he has done with Madonna and Aphex Twins and both are very ambiguous music videos. The song is associated with the pop genre as Madonna is a key figure in this genre of music in the industry, however the song is definitely a differentiation form her other songs, the video was made in 1998 however the video for like a prayer was filmed in 1989, a 9 year difference, this shows that Madonna wanted to change her musical direction into something more unique than what she began doing, this can be further emphasised by comparing the style of the two videos, immediately the audience can see a clear difference between the two and how Madonna is conveyed, one seems much darker than the other immediately which again shows how Madonna wants to change her musical direction. The music video does demonstrate some conventions of the pop genre, one example is that the artist Madonna is seen frequently singing in the video, the majority of the video is just a wide range of camera shots including close ups of Madonna singing the lyrics to the song, however the most stylistic use of cinematography to show the artist performing the song is a two shot of Madonna as well as herself singing, basically there are two Madonnas. The pop convention is followed because the camera technique shows the artist singing very much like other artists in the same genre, however the two shot relates back to the desire that Madonna wants to change her music style, as the audience can see in this video, it's already significantly different from her older music videos.
There are many connections between this video and Goodwin's theory surrounding music videos and the videos content. Firstly, already highlighted before, the song does demonstrate characteristics of the genre known as pop as the artist is seen singing throughout the video, another element of Goodwin's theory present is that the demands of the record labels will include the need for lots of close ups of the artist. The reason why the record label emphasise the importance of the artist being seen through close ups is because it enables the audience to build up a relationship with the artist, so that they may relate to her songs a lot more and understand her music better. The record label want this because this makes the audience buy her albums and watch her music so that they further understand her music and the lyrical content of her songs. There are two distinctive styles of video used in this video, the two being Concept based and Performance based. The performance based has been implemented into the video through the use of editing and cinematography as it constantly cuts back and forth to her singing in different locations in the desert. The other style is concept based, the concept that the audience would take from this video is that Madonna is a sort of witch in the video, she shape shifts into bats and dogs several times in the video, this could represent the need for change in her music style as she changes her look, much like the way she changed before.
The next video is the first aphex twins video of the two that i'll be looking at, this song is called 'windowlicker'. The video begins with one man and his friend and the man really wants to have sex and after an argument with some prostitutes, aphex twins arrives in a massive limousine with a strange smile gets out of the car and starts dancing, and that is where the main part of the music video starts. The video follows some conventions in the sense that there is dancing in the video so it has the performance aspect of a music video style, for example the video shows someone wearing a mask of the artist and this person is dancing around the city with an umbrella, in an attempt to try and win the prostitutes over. This emphasises the song is a dance song because the video shows someone happy dancing around a certain location, this eventually gets the prostitutes happy which conveys the lifestyle of the a dance artist, they're always happy and have a certain difference that makes others happy. The audience then relate to this because they understand the genre and know the conventions of the genres music videos in which that they make people happy.
Goodwin's theory is also followed throughout the music video, the beat and the visuals match as some of the drum sounds time in with the man tapping his feet on the ground when he is dancing and there are frequent images of the artist who created the song in the use of masks worn by people throughout the video, the masks are important with the artists representation. The reason why the beat of the song matches the visuals is so that the audience who watch the video are entertained as the visuals are more interesting and appealing to the audience, this can be further illustrated through the use of the masks as people who see the video may want to be like him as he seems to get all of the women.This leads to the representation of the videos artist, as said before, the artist is trying to get women and eventually succeeds in doing this, presenting him in a sexual way, however the video wants the audience to get this idea into this heads as it's a repeating image, an example of this image is when the man uses a pole to dance, uses the umbrella as a makeshift penis and touches is penis many times in the video. Obviously the representation of the artist is that he is sexual and can get any woman that he wants, the video also shows that the audience, the two black men, are jealous of this fact and try to do what he does and get any woman possible, this doesn't work in their favour because they're not the artist, this makes the audience envy the artist because they wish they could do something like that. Cunningham is a dark director because he prefers to get the message across of the artists representation of themselves through very obvious meanings, the next video i'll be talking about emphasises my point.
The next video is the last video of Cunningham again another apex twin song called 'come to daddy'. This video has a slight bit of narrative like the last, takes place on an estate where an old woman is walking her dog, the dog turns on a tv by accident and starts barking at it while the woman covers her ears due to the sound the tv gave off. This is where the audience see Aphex twins style come to life again where the kids are wearing masks of the artists face, this is a form of promotion and the audience do see him sing in the TV as well as the face masks that people wear, this is how people know it's this artist because of those masks that others wear. This is associated with Goodwin's theory because the artist is trying to get across to the audience that the mask is how you will remember him, it's sort an attribute they develop after a while.
This video also has all 3 elements that a music video should include: narrative of the old woman walking the dog and then the video just slowly getting more and more out of control, performance from the artist singing on the television screen several times and a concept as it shows that kids in the present day idolize the tv or technology in general. The effect this has on the audience is that they learn to appreciate the artist more so because of these deeper meanings surrounding the video, it makes the artist come across as intelligent. The audience relate to the artist because they may feel that these deeper meanings can also be associated with the artists music and the lyrics behind these songs.
The song isn't portrayed as the other aphex twins song, it isn't meant to be dance another genre that this song applies to is techno, which is when most of the music is done electronically rather than the use of instruments. The conventions of techno are followed quite frequently, this includes a lot of flashing imagery throughout the video. This convention is evident with the school girls running through the estate while the man on the TV keeps appearing singing. The flashing imagery is trying to emulate the atmosphere that the audience would experience when watching a techno performance live or the audiences lifestyle if they're techno fans and listen to songs of the genre frequently, this enables the audience to relate to the video as they think it looks similar to the real life performance.
The artists representation is very difficult to analysis due to eccentric nature of this video but we can easily identify what he wants to portray, the television screen man is supposed to be the artist and the artist is telling the school girls what to do. The audience can further connote this representation to mean that the artist is impressionable on kids, they wear his face which shows they want to be him and they also take the TV with them when they run off showing his importance to the kids. During the climax of the video, the artist climbs out of the TV and screams at the old lady from earlier before. Due to censorship rules of the video, it isn't allowed to be shown on MTV obviously, this is due to the inappropriate nature of some of the visuals and the fact that little girls wear a mans face is almost like a horror film, meaning censorship rules had to be followed for this video, as an example of these rather suggestive and strange visuals is when he touches the children that are wearing the artists faces.Michael Gondry This director also has a particular style and focuses a lot more on repetition as you'll see in the two videos, the first is The White Stripes' 'Hardest Button to Button' and the second is Kylie Minogue's 'Come into my world'. Hardest button to button is a performance song only as there is no narrative or concept behind it. Every time a drum beat is played the next frame is different, this is clearly seen with the drummer as she leaves a trail of drums behind her as she keeps playing and the beat matches the video. Artists can be seen throughout in a wide variety of shots, medium shots and close ups of the drummer and guitarist as they play their song whilst walking down the street. However the location of the song isn't conventional, it takes place in an ordinary street almost as if they're both taking a leisurely stroll, this conveys them to be down to earth and relatable for most audiences which can make them respect the artists more. This video is very simplistic, just two people playing instruments as they walk down a street, train and park.
The video does demonstrate several conventions of the genre of which they are trying to appeal to, the genre is rock for this song. A convention of rock is showing the artists playing the instruments that they perform with, this is evident throughout the video as both artists are scene travelling around a city playing the drums and guitar and leaving amps as well as drum kits lying around showing that this is the path they've taken. This shows their talent in the music industry and that the artists can play the instruments as well. This to make the audience respect their talent further as talented artists which enables them to like their music a lot more, the audience the video is trying to appeal for are those that will go to concerts and gigs just to to see their favourite artists play live for them.The video demonstrates elements of Goodwin's theory, this can be seen throughout the whole song. The beat of the drum and the visuals share a relationship as the visuals change after every drum beat, the artists move along or jump every time there is a drum beat. However the video also demonstrates two of the prime styles of a music video which are performances and concepts within the video, the performance can be seen all over the video as it follows them throughout the song as they play the guitars and drums. The concept is that they're normal people, they're seen using public transport, walking through parks, and walking down streets.
There are several representations of the artists in the video that have been illustrated towards the audience, one representation is that the two artists are outgoing and down to earth as they are not seen once in the video inside a building at all, instead they go to the park and walk along the streets playing their instruments. They're down to earth because they don't seem to care much about walking in the public, which demonstrates that they don't think of themselves highly as other artists and see themselves as normal every day people getting on with their day like everyone else.
The final video to talk about is 'Come into my world' by Kylie Minogue. This video is again all 3 elements that should make a video: narrative being that she is just walking along the street on a normal day, performance is done by her singing throughout the whole video and the concept is that life is rather dull and repetitive and is almost stuck in a loop and that she needs someone to come into her world and change that, this is backed up by the fact that Minogue walks in circles like the shape of the world and that everytime she looped everything kept duplicating, even herself was duplicating showing how regular and dull her life is becoming. The lifestyle that is presented to the audience isn't conventional, it is a very mundane world the audience are presented even for a famous person further showing how regular her world is without that special someone.
The video illustrates conventions of the pop genre very well, this is implemented as Kylie Minogue is shown to be singing throughout the song, this is a pop convention as the video is trying to demonstrate the importance of the artist and her talent in this industry. Another convention that is implemented from the pop genre are bright colours throughout the video, this is done by the peoples outfits as the audience can see the people in the background with bright yellows and reds. Both of these conventions allow the audience to relate to the music video because they are used to these conventions in pop music videos.
The video does produce elements of Goodwin's theory quite well, this is seen in the video with the relationship of the lyrics and the visuals, the songs chorus goes "Come into my world" Kylie Minogue also works in circles, which is the same shape as the world, further emphasising the fact the she wants the audience to come into her world and see what she sees on an average day with people fighting as well as people just getting by for the day.
The video illustrates conventions of the pop genre very well, this is implemented as Kylie Minogue is shown to be singing throughout the song, this is a pop convention as the video is trying to demonstrate the importance of the artist and her talent in this industry. Another convention that is implemented from the pop genre are bright colours throughout the video, this is done by the peoples outfits as the audience can see the people in the background with bright yellows and reds. Both of these conventions allow the audience to relate to the music video because they are used to these conventions in pop music videos.
The video does produce elements of Goodwin's theory quite well, this is seen in the video with the relationship of the lyrics and the visuals, the songs chorus goes "Come into my world" Kylie Minogue also works in circles, which is the same shape as the world, further emphasising the fact the she wants the audience to come into her world and see what she sees on an average day with people fighting as well as people just getting by for the day.
Cunningham and Gondry are different and similar in their direction of music videos, they both go for the implied meaning and want the audience to take a guess at what the video is trying to connote about the artist. However both directors are different in their visual styles, Cunningham wants to show a darker side to things, this is shown in all of the videos he did for Madonna and Aphex twins and he tries to show another side of the artists that people haven't seen before. Gondry on the other hand is more repetitive with his music videos and isn't as dark, this repetition is conveyed in both like the duplicating performers in hardest button to button and Kylie Minogue kept duplicating everytime she walked in a full circle. Cunningham attracts an audience just because of how daring and eccentric he is with his directing, his videos attract an audience because they're unusual and controversial which means they get a lot of viewings because of this. Gondry attracts an audience because of the work that goes into his videos, Hardest button to button was impressive because of the sheer amount of instruments used in the video and Come into my world was impressive as everything kept repeating perfectly, his videos are impressive in terms of choreography as shown by Kylie Minogue's video.
There are several positives and negatives with diverse videos, positives include that if it has never been done before then the video will become extremely popular amongst the masses and will make the artists even more popular. It can also attract an audience that favour ambiguous messages and enjoy trying to understand the videos meanings. However people may find the videos so strange that they go off the artist completely an not bother with what the artist or director is trying to say.
When I create my music video I plan don't plan to use any of these methods for my video as i don't think these diverse music videos would be easy to recreate. An example of the difficulty to use these methods is that with the White Stripes song "hardest button to button" shows the amount of drum kits and amps that they had to use in every shot and the different locations they were in because of the fact that both artists were moving. In terms of Aphex twins, their videos are very confusing and some of the very controversial images being portrayed and are presented in very eccentric ways.











